Added: Carolynn Lucier - Date: 21.11.2021 22:50 - Views: 24898 - Clicks: 3792
Hollywood is built on negotiations. Managers negotiate rates, stars negotiate their time. But actresses are often gifted an additional element to negotiate: the surrender of their bodies for the camera. Where a bare breast was once considered taboo, now audiences barely bat an eye at female nudity. Rather, Hollywood marketing and audience interest still encourages the consumption of female bodies, in spite of increased awareness of the male gaze and the continued statistics charting the lack of male nudity on-screen. The statistics show such a double standard: A report from St.
Jennifer Lawrence and Scarlett Johansson have been vocal about their desire to be nude in their films. Lawrence felt empowered, and her experience should not be negated regardless of her decision. However these arguments fail to touch on how actresses remain the ones having to decide whether the audience can consume their bodies. The question is, why are these s the way they are if women are feeling more empowered about their decisions? Why are women still doing this at higher rates than their male costars, if not to satisfy assumedly male audiences and filmmakers who create reasons for female bodies to be exposed?
Yet the movie still contains nudity from actress Esther Garrel. Films continue to cater to the male gaze, yet actresses are now appearing to believe that the gaze can only be changed by exposing themselves, or at least giving off an air of having control over where that exposure happens. With the s still heavily skewed in favor of female nudity, movies remain mired in misogynistic beliefs that female bodies should be seen on-screen.
Kimmel himself asked Robbie about being naked and the actress admitted she lied to her family and avoided her hometown in its wake. In a way, Robbie is a prime example of how actresses are compelled to negotiate their exposure, giving the audience their fill upfront preferably in a feature with a respected director as a means of situating herself as a serious actress who can refuse to be nude in future.
It is only by indulging male fantasies that she can be taken seriously. This is a facet exacerbated by tabloid interviews and other media that simultaneously cite actresses who do nudity as brave and courageous, yet often couched the entirety of their interview on nudity, forever keeping the onus on female bodies regardless. Male nudity is never questioned in similar terms, if at all. Sometimes an actress going nude can be sold and consumed by the audience as a change of persona.
The audience is given the power to judge how effectively an actress is not just nude—presumably unburdening herself of a image—but, by extension, whether the actress can cement herself as a serious actress. Why are some actresses able to find legitimacy and a persona change through nudity while others crash and burn? With just ten seconds of nudity, male audiences were given free reign to salivate over the young woman, a fact felt in reviews of the movie by male critics who made no bones about using their criticism as a shield for their lust. The idea of male nudity, regardless of romantic context, is still shied away from by male directors in favor of the more palatable appearance of straight females.
Is this another example of an actress finding legitimacy after doing nudity? The longer women spend cultivating a particular image the harder it is to break out of that, and sometimes nudity can divorce an audience from an actress entirely. But audiences have turned away from her, leaving Sally compelled to present herself as a sexual figure, baring her breasts in the process. Women should be considered sexual figures, yet nudity is perceived as the lone route to take this. Miles does it, receiving acclaim and another Oscar out of the deal, but the audience questions their complicity in forcing Mary Poppins again, this is Andrews in all but character name to do this.
Do men not want their dream girl fantasy ruined? Female nudity requires audiences to question whether they can separate the actress from the character. Sometimes this is impossible to do, as in the case with Meg Ryan. Women of color have a far harder time in this arena, receiving less benefit of the doubt in comparison to white actresses.
Bonet was fired from "The Cosby Show" , supposedly for violating the sanctity of her good girl image. For Hayek, she had no problem exposing her body for the audience or the people on-set. And the s still show a clear division between male nudity and female nudity. Stars like Lawrence, Johansson, Jessica Alba and Kate Winslet , and Natalie Portman have been honest about their history with nudity or their outright refusal to do it.
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